It doesn't really matter what "genre" your book is. What matters is that it's a good book of its kind. Whatever that kind may be.

In the end, we'll all become stories.

The Three of them were beautiful, in the way all girls of that age are beautiful. It can't be helped, that sort of beauty, nor can it be conserved; it's a freshness, a plumpness of the cells, that's unearned and temporary, and that nothing can replicate. None of them was satisfied with it, however; already they were making attempts to alter themselves into some impossible, imaginary mould, plucking and pencilling away at their faces. I didn't blame them, having done the same once myself.

There are some virtues to not saying what you think all the time.

I'm a person of whim, and easily distracted. I don't like multitasking. When I'm doing one thing, I like to do just that thing.

It's a critical fallacy of our times ... that a writer should 'grow,' 'change,' or 'develop.' This fallacy causes us to expect from children or radishes: 'grow,' or there's something wrong with you. But writers are not radishes. If you look at what most writers actually do, it resembles a theme with variations more than it does the popular notion of growth.

Kill what you can't save what you can't eat throw out what you can't throw out bury What you can't bury give away what you can't give away you must carry with you, it is always heavier than you thought.