I'm not an activist by nature. I am suspicious of Utopian thinking and equally suspicious of its alternate.

No more photos. Surely there are enough. No more shadows of myself thrown by light onto pieces of paper, onto squares of plastic. No more of my eyes, mouths, noses, moods, bad angles. No more yawns, teeth, wrinkles. I suffer from my own multiplicity. Two or three images would have been enough, or four, or five. That would have allowed for a firm idea: This is she. As it is, I'm watery, I ripple, from moment to moment I dissolve into my other selves. Turn the page: you, looking, are newly confused. You know me too well to know me. Or not too well: too much.

Perhaps they were looking for passion; perhaps they delved into this book as into a mysterious parcel - a gift box at the bottom of which, hidden in layers of rustling tissue paper, lay something they'd always longed for but couldn't ever grasp.

I am too old to have ever been very worried about what "genre" any given book of mine might be. I read everything. I am easily amused.

He needed to exist only in the present, without guilt, without expectation.

Canadians and Americans may look alike, but the contents of their heads are quite different. Americans experience themselves, individually, as small toads in the biggest and most powerful puddle in the world. Their sense of power comes from identifying with the puddle. Canadians as individuals may have more power within the puddle, since there are fewer toads in it; it's the puddle that's seen as powerless.

The cemetery has ... an inscription: 'Though I walk through the Valley of the Shadow of Death I will Fear No Evil, For Thou Art With Me.' Yes, it does feel deceptively safer with two; but Thou is a slippery character. Every Thou I've known has had a way of going missing.