I was warped early by Ray Bradbury and Edgar Allan Poe. I was very fond of Franz Kafka.

It's a critical fallacy of our times ... that a writer should 'grow,' 'change,' or 'develop.' This fallacy causes us to expect from children or radishes: 'grow,' or there's something wrong with you. But writers are not radishes. If you look at what most writers actually do, it resembles a theme with variations more than it does the popular notion of growth.

Why can't I believe? she asked the darkness. Behind her eyelids she saw an animal. It was golden colour, with gentle green eyes and canine teeth, and curly wool instead of fur. It opened its mouth, but it did not speak. Instead, it yawned.It gazed at her. She gazed at it. "You are the effect of a carefully calibrated blend of plant toxins," she told it.Then she fell asleep.

My father was a forest entomologist, which means he was aware that spraying forests for spruce budworm was counterproductive in that it didn't really work, and it killed everything else in the forests, and it wasn't good for the people who were exposed to it, either. So he was an early proponent of not doing that, but, of course, nobody listened.

You always think, 'Oh, if only I had a little chalet in the mountains! How great that would be and I'd do all this writing' Except, no, I wouldn't. I'd do the same amount of writing I do now and the rest of the time I'd go stir crazy. If you're waiting for the perfect moment you'll never write a thing because it will never arrive. I have no routine. I have no foolproof anything. There's nothing foolproof.

Remember,' she'd tell her staff, 'every customer wants to feel like a princess, and princesses are selfish and overbearing.

There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.