The truth is seldom welcome, especially at dinner.

I tried to visualize my jealousy as a yellowy-brown cloud boiling around inside me, then going out through my nose like smoke and turning into a stone and falling down into the ground. That did work a little. But in my visualization a plant covered with poison berries would grow out of the stone, whether I wanted it to or not.

The society in 'The Handmaid's Tale' is a throwback to the early Puritans whom I studied extensively at Harvard under Perry Miller, to whom the book is dedicated.

We should take a lesson from the Irish potato famine: monocultures are vulnerable. Monocultures of any kind are very vulnerable, because one change and you're cooked. So we should be diversifying, wouldn't you say?

It's a critical fallacy of our times ... that a writer should 'grow,' 'change,' or 'develop.' This fallacy causes us to expect from children or radishes: 'grow,' or there's something wrong with you. But writers are not radishes. If you look at what most writers actually do, it resembles a theme with variations more than it does the popular notion of growth.

The truly fearless think of themselves as normal.

Writers and books are cheap dates, especially when you compare the cost of a book with a ticket to the opera - or an NHL game.