Potential has a shelf life.

If it's all instruction, you get annoyed with it and bored, and you stop reading. If it's all entertainment, you read it quite quickly, your heart going pitty-pat, pitty-pat. But when you finish, that's it. You're not going to think about it much afterward, apart from the odd nightmare. You're not going to read that book again.

I saw all of the films [based on The Tempest] available, including the one with Helen Mirren in which Prospero is Prospera - you wonder, "Would it work?" But it does, because anything she does works.

In Shakespeare Saved My Life, [author Laura Bates] said she got better papers from [prisoners] than she got from people in her regular classes. Because she was teaching, of course, Macbeth, and a number of them had murdered people. The guy who wrote the best paper said, "You do have this, 'Is this a dagger which I see before me?' before you do it, but in my case it was a gun."

What fabrications they are, mothers. Scarecrows, wax dolls for us to stick pins into, crude diagrams. We deny them an existence of their own, we make them up to suit ourselves -- our own hungers, our own wishes, our own deficiencies.

Writing poetry is a state of free float.

Time is compressed like the fist I close on my knee... I hold inside it the clues and solutions and the power for what I must do now.