for me the novel is a social vehicle, it reflects society.

There's more private security in the United States than there are publicly funded forces, like police. What you don't want is a meld of government and commerce - you really want to keep those two things separate - because once you have that meld, you've got megacorruption, and you have no third force to whom you can say this stuff is poisoning our kids.

Publishers are in business to make money, and if your books do well they don't care if you are male, female, or an elephant.

It's impossible to say a thing exactly the way it was, because of what you say can never be exact, you always have to leave something out, there are too many parts, sides, crosscurrents, nuances; too many gestures, which could mean this or that, too many shapes which can never be fully described, too many flavors, in the air or on the tongue, half-colors, too many.

I thought everyone would be familiar with this figure: if I'd studied a thing in school I assumed it was general knowledge. I hadn't yet discovered that I lived in a sort of transparent balloon, drifting over the world without making much contact with it, and that the people I knew appeared to me at a different angle from the one at which they appeared to themselves; and that the reverse was also true. I was smaller to others, up there in my balloon, than I was to myself. I was also blurrier.

If you want to be a writer, you should go into the largest library you can find and stand there contemplating the books that have been written. Then you should ask yourself, 'Do I really have anything to add?' If you have the arrogance or the humility to say yes, you will know you have the vocation.

Why are you so interested in amoebas?" "Oh, they're immortal," he said, "and sort of shapeless and flexible. Being a person is getting too complicated.