It used to be that your bloodlines dictated who you were. But the U.S. became the land of the self-made man, in which not only did you make a fortune but you could make up everything else about yourself as well. You move into a new town with a spurious pedigreed background and you just make yourself up.

If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.

Thy only authentic ending is the one provided here: John and Mary die, John and Mary die, John and Mary die.

Why are you so interested in amoebas?" "Oh, they're immortal," he said, "and sort of shapeless and flexible. Being a person is getting too complicated.

Anybody who writes a book is an optimist. First of all, they think they're going to finish it. Second, they think somebody's going to publish it. Third, they think somebody's going to read it. Fourth, they think somebody's going to like it. How optimistic is that?

In Shakespeare Saved My Life, [author Laura Bates] said she got better papers from [prisoners] than she got from people in her regular classes. Because she was teaching, of course, Macbeth, and a number of them had murdered people. The guy who wrote the best paper said, "You do have this, 'Is this a dagger which I see before me?' before you do it, but in my case it was a gun."

I'm not an activist by nature. I am suspicious of Utopian thinking and equally suspicious of its alternate. I would prefer to stay in the Writing Burrow and play with my imaginary friends and enemies. I get sucked into these things.