In Paradise there are no stories, because there are no journeys.

If you DJ reality, that is, if you make a mash-up of actual reality, you're going to end up with something that inevitably people will say, "This is feminist." Because you cannot avoid that.

Once I was in Texas, where they had this thing called Ralph the Swimming Pig. You went into a theater and you were looking through a great big window at people dressed as mermaids swimming around with oxygen tanks. One of the mermaids had a bottle of milk, and a small Ralph the Swimming Pig dove in and swam over. Naturally, afterward, I said in the cafeteria, "What happens to the Ralphs when they get bigger? Would you serve Ralphs who have retired?" "Oh no! We would never do such a thing."

Some people mistakenly think nature is very nice and benevolent and never betrays.

What a moron I was to think you were sweet and innocent, when it turns out you were actually college-educated the whole time!

It was exciting to work with director Jennifer Baichwal, who made Manufactured Landscapes and others, on the film of Payback: Debt and the Shadow Side of Wealth. It's called, simply, PAYBACK. Jennifer didn't want to do a transliteration of the book, a kind of illustrated version, but to go into the core of the book: owing and being owed, paying and paying back, on all sorts of levels. So she found real-life, visceral stories that embodied the themes of the book.

In theory I can do almost anything; certainly I have been told how. In practice I do as little as possible. I pretend to myself that I would be quite happy in a hermit's cave, living on gruel, if someone else would make the gruel. Gruel, like so many other things, is beyond me.