But I keep going on with this sad and hungry and sordid, this limping and mutilated story, because after all I want you to hear it, as I will hear yours too if I ever get the chance, if I meet you or if you escape, in the future or in heaven or in prison or underground, some other place. What they have in common is that they're not here. By telling you anything at all I'm at least believing in you, I believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are.

What am I living for and what am I dying for are the same question.

Everybody was going along thinking that it was a day like any other day, and bang, down went the Twin Towers. Changed everything. So you can't really predict the future, but you can say, "Boy, are those glaciers ever melting." You can measure that, and you can say, "When they're all melted there won't be any Athabasca River," and you can say, "What will happen to the oil sands then?" because you need a lot of water to make that oil. "Where's that going to come from?" You can say things like that.

Was this a betrayal, or was it an act of courage? Perhaps both. Neither one involves forethought: such things take place in an instant, in an eyeblink. This can only be because they have been rehearsed by us already, over and over, in silence and darkness; in such silence, such darkness, that we are ignorant of them ourselves. Blind but sure-footed, we step forward as if into a remembered dance.

Moira was like an elevator with open sides. She made us dizzy.

I've learned quite a lot, over the years, by avoiding what I was supposed to be learning.

His mouth is on me, his hands, I can't wait and he's moving, already, love, it's been so long, I'm alive in my skin, again, arms around him, falling and water softly everywhere, never-ending.