What is it the I'll want from you? Not love: that would be too much to ask. Not forgiveness, which isn't yours to bestow. Only a listener, perhaps; only someone who will see me. Don't prettify me though, whatever else you do: I have no wish to be a decorated skull. But I leave myself in your hands. What choice do I have? By the time you read this last page, that- if anywhere- is the only place I will be.
Margaret AtwoodAmericans don't usually have to think about Canadian-American relations, or, as they would put it, American-Canadian relations. Why think about something which you believe affects you so little? We, on the other hand, have to think about you whether we like it or not.
Margaret AtwoodWhy is it we want so badly to memorialize ourselves? Even while we're still alive. We wish to assert our existence, like dogs peeing on fire hydrants. We put on display our framed photographs, our parchment diplomas, our silver-plated cups; we monogram our linen, we carve our names on trees, we scrawl them on washroom walls. It's all the same impulse. What do we hope from it? Applause, envy, respect? Or simply attention, of any kind we can get? At the very least we want a witness. We can't stand the idea of our own voices falling silent finally, like a radio running down.
Margaret AtwoodIf I pick up a book with vampires on the cover, I want there to be vampires. If I pick up a book with spaceships on the cover, I want spaceships. If I see one with dragons, I want there to be dragons inside the book. Proper labeling. Ethical labeling.
Margaret AtwoodThe film [Payback: Debt and the Shadow Side of Wealth] opens with an Albanian blood feud and goes on to delve into, for instance, prison systems, underpaid tomato pickers, the gulf oil spill. It's all woven together in a sensuous, oblique way that's not the same as the single-message kind of documentary we're used to, with an "answer" at the end. It's more like an exploration. Sort of like what you do with Birth of a Nation.
Margaret Atwood