In high school, in 1956, at the age of sixteen, we were not taught "creative writing." We were taught literature and grammar. So no one ever told me I couldn't write both prose and poetry, and I started out writing all the things I still write: poetry, prose fiction - which took me longer to get published - and non-fiction prose.

Was this a betrayal, or was it an act of courage? Perhaps both. Neither one involves forethought: such things take place in an instant, in an eyeblink. This can only be because they have been rehearsed by us already, over and over, in silence and darkness; in such silence, such darkness, that we are ignorant of them ourselves. Blind but sure-footed, we step forward as if into a remembered dance.

While he writes, I feel as if he is drawing me; or not drawing me, drawing on me - drawing on my skin - not with the pencil he is using, but with an old-fashioned goose pen, and not with the quill end but with the feather end. As if hundreds of butterflies have settled all over my face, and are softly opening and closing their wings.

My family was big on sharing. I guess it was just the way I was brought up. Or maybe, I read those fairy tales in which one good turn elicits another. But in writing, yes, some older writers were kind to me when I was young; although some others were not.

Jimmy found himself wishing to make a dent in Crake, get a reaction; it was one of his weaknesses, to care what other people thought of him.

Freedom, like everything else, is relative.

Canada was built on dead beavers.