I know that some books and some writers, you can pretty much draw a square around it and say, 'Nobody under 40,' or 'Nobody under 25.' With my books, it always has been, and continues to be, spread right across the board, and I think the operative term is 'reader.'

Truly amazing, what people can get used to, as long as there are a few compensations.

My father was a forest entomologist, which means he was aware that spraying forests for spruce budworm was counterproductive in that it didn't really work, and it killed everything else in the forests, and it wasn't good for the people who were exposed to it, either. So he was an early proponent of not doing that, but, of course, nobody listened.

Don't be married to a line or verse if it can't rhyme, fit the meter, or doesn't fit the outline.

The proper study of Mankind is Everything.

Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer's head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.

You can't help what you feel, but you can help how you behave