I have always suspected that too much knowledge is a dangerous thing. It is a boon to people who don't have deep feelings; their pleasure comes from what they know. . . . But this only emphasizes the difference between the artist and the scholar.

It has been years since I have seen anyone who could even look as if he were in love. No one's face lights up any more except for political conversation.

How can anyone be interested in war? - that glorious pursuit of annihilation with its ceremonious bellowings and trumpetings over the mangling of human bones and muscles and organs and eyes, its inconceivable agonies which could have been prevented by a few well-chosen, reasonable words. How, why, did this unnecessary business begin? Why does anyone want to read about it - this redundant human madness which men accept as inevitable?

People with heavy physical vibrations rule the world.

I have always suspected that too much knowledge is a dangerous thing. It is a boon to people who don't have deep feelings; their pleasure comes from what they know. . . . But this only emphasizes the difference between the artist and the scholar.

Art to me was a state: it didn't need to be an accomplishment.

I wasn't born to be a fighter. The causes I have fought for have invariably been causes that should have been gained by a delicate suggestion. Since they never were, I made myself into a fighter.