Everywhere, women gathered in knots, huddled in groups on front porches, on sidewalks, even in the middle of the streets, telling each other that no news is good news, trying to comfort each other, trying to present a brave appearance.

Fighting is like champagne. It goes to the heads of cowards as quickly as of heroes. Any fool can be brave on a battlefield when it's be brave or else be killed.

I'm tired of saying, "How wonderful you are!" to fool men who haven't got one-half the sense I've got, and I'm tired of pretending I don't know anything, so men can tell me things and feel important while they're doing it.

If Gone With the Wind has a theme it is that of survival. What makes some people come through catastrophes and others, apparently just as able, strong, and brave, go under? It happens in every upheaval. Some people survive; others don't. What qualities are in those who fight their way through triumphantly that are lacking in those that go under? I only know that survivors used to call that quality 'gumption.' So I wrote about people who had gumption and people who didn't.

No, my dear, I'm not in love with you, no more than you are with me, and if I were, you would be the last person I'd ever tell. God help the man who ever really loves you. You'd break his heart, my darling, cruel, destructive little cat who is so careless and confident she doesn't even trouble to sheathe her claws.

It's a curse - this not wanting to look on naked realities. Until the war, life was never more real to me than a shadow show on a curtain. And I preferred it so. I do not like the outlines of things to be too sharp. I like them gently blurred, a little hazy.

Hush," he said. "I am asking you to marry me. Would you be convinced if I knelt down?