Computers are very powerful tools, but in the simulated world of the computer, everything has to be calculated.

Seeing and playing with physical objects can enable access to symbolic ideas. When I studied physics and math at university it was all done through equations and textbooks whereas artists go to art school and start making stuff; they fling paint at the walls, they dance and bash things together with giant bits of metal. Our society has come to think of science as being a very abstractified thing, and art as being a materialized thing.

This is what I call the "cosmological problem" of science. Science has the instrumental function that has given us computers and so on, but its cosmological function is to give us a picture of the world we inhabit as human beings, and on that level it's failing a vast number of people.

I have an abiding interest in how ordinary people produce knowledge, and what it means for individuals to know the world. I thought I'd be a theoretical physicist because I love physicists' views of the world - I find general relativity and quantum theory thrilling - but I have always felt uneasy with the idea of an Ultimate Truth. One of the functions of science is to help us instrumentally; it helps us to build things like microchips and GPS satellites. But another function of science in the modern world is to help us feel "at home in the universe".

Mathematicians are proud of the fact that, generally, they do their work with a piece of chalk and a blackboard. They value hand-done proofs above all else. A big question in mathematics today is whether or not computational proofs are legitimate. Some mathematicians won't accept computational proofs and insist that a real proof must be done by the human hand and mind, using equations.

When you're in a room with twenty people who've all got the True Theory of the universe, it's difficult to know what to do. And the paradox is that so much important science is now being done by huge teams. With Higgs boson, for example, it's estimated there were around ten thousand scientists and engineers involved in building the machines that made this discovery possible.

For ten years, I wrote regular columns about science for women's magazines, and to my knowledge I'm the only person in the world who can say that. This has no kudos in either the science-writing world or the academic world, but it's one of the most challenging things I've ever done. It's much harder to write about cosmology for a magazine like Vogue than for the New York Times, which I've also written for, because you have to imagine that on the page opposite there'll be an advertisement for eyeliner, or an article about the latest trends in skirt length.