One of the best gifts you can give a poet is to present them with field guides - to rocks, to stars, to birds, to wildflowers, to trees and bushes, to butterflies, to reptiles and amphibians. Because when you look at anything long enough to be able to identify it, you see far more clearly and you make a tiny beginning at understanding the life, the place, the history of that bird or rock or mammal.

There are obviously a great many ways to organize some fraction of the material in a life.

A strong woman is a woman at work, cleaning out the cesspool of the ages, and while she shovels, she talks about how she doesn't mind crying, it opens the ducts of the eyes, and throwing up develops the stomach muscles, and she goes on shoveling with tears in her nose.

I will choose what enters me, what becomes flesh of my flesh. Without choice, no politics, no ethics lives. I am not your cornfield, not your uranium mine, not your calf for fattening, not your cow for milking. You may not use me as your factory. Priests and legislators do not hold shares in my womb or my mind. If I give it to you, I want it back. My life is a non-negotiable demand.

My strength and my weakness are twins in the same womb.

It's really important to visit a site you are writing about. Even if you know it well, even if you have lived there, it's important to take a fresh look in terms of your characters and your story.

Pain is a forcing sieve that turns me to gruel.