When midlist writers are treated like dirt, I would desist were I less stubborn and less committed.

Every poet has a certain amount of "stuff." That's what you draw from for imagery. The more stuff you know well, not simply intellectually but sensually, emotionally, intimately, the wider the pool from which you draw.

I was a working class Jewish girl. In my girlhood, anti-Semitism was a daily fact of life in Detroit. I did not come from people who had many options in their lives or many choices open to them. I was a girl in a family in which women were, as in society at large, very much second-class citizens. I did not see why I should accept these forced limitations without a fight. Being free to make my own choices thus became very important to me at an early age.

Doorways are sacred to women for we are the doorways of life and we must choose what comes in and what goes out.

Writing is a futile attempt to preserve what disappears moment by moment. All that remains of my mother is what I remember and what I have written for and about her. Eventually that is all that will remain of [my husband] and me. Writing sometimes feels frivolous and sometimes sacred, but memory is one of my strongest muses. I serve her with my words. So long as people read, those we love survive however evanescently. As do we writers, saying with our life's work, Remember. Remember us. Remember me.

I am my mother's daughter,... I am her only novel.

The sense of being Jewish never left me, but when my grandmother died, I rebelled against Judaism as I knew it then, which was Orthodox. I saw the rituals, a lot of them, as very male, for a long time.