Nobody can live on a bridge or plant potatoes but it is fine for comings and goings, meetings, partings and long views and a real connection to someplace else where you may in the crazy weathers of struggle how and again want to be.

In her bottled up is a woman peppery as curry, a yam of a woman of butter and brass.

Shall I tell you something I've been noticing? The mistrust this society has for women. All kinds of experts and officials are terrified because so many women are working. They really think that women have to be coerced into having babies and raising kids.

Sometimes when a character in a novel is difficult for me to enter, I sue something in myself or in my own life as a doorway into that character's mind and emotions.

My idea of Hell is to be young again.

Nobody hates us as ourselves. In their minds we're not human... They don't hate us because we did something or said something. They make us stand for an evil they invent and then they want to kill it in us.

I think that if you use something from you life in fiction, it metamorphosizes into something strange and different. Afterward it is hard to tell what actually was part of your life and what is part of the story of the fictional character.