I wandered around not knowing what I was doing in The Great Waldo Pepper and feeling pretty lost, and they rightly cut my part down. I don't think I was in very good emotional shape. I think I was a bit of a mess. I'd done about six movies back-to-back, and was in a state of complete exhaustion.

I love horror movies because they're really fun. They tap into those wonderful primal emotions.

There's a lot of bullshit in Peter Fonda's autobiography. A great deal of it is complete fabrication.

Peter Biskind's Easy Riders, Raging Bulls was made all about drugs, when to most of us, that just meant pot and magic mushrooms. He made it seem like we were all shooting heroin into our eyeballs. But that's part of the whole '60s and what it represented: feminism and civil rights and trying to stop the war. Hopefully we're starting to see some of that optimism again, through the excitement around Barack Obama.

I'm not really into horror movies.

I'll have that inscribed on my damn grave. I still get stopped for being Lois Lane, and I'm 60 and have two grandchildren. So it's kind of weird.

Making Superman was so hard. We were a year over schedule. We were there a year and a half, the first time. And in a year and a half, you go through everything you go through in a life. So you can't really go, "Oh, it must have been fun to work with Chris Reeve." In a year and a half, you bonded like a family, so you know someone far too well to think something as simplistic as "Oh, it's just fun." You know their secrets. I mean, it was everything. It was truly - it's a cliché to say we were family, but we really were.