I got a reputation for being sort of nuts and difficult, because I was at that point, so I wasn't much in demand. And also, on the basic level, I'd made a lot of movies that didn't make money. And if you make movies that don't make money - I mean, it is a business, after all - you are not in demand.

I remember when we were doing the love scene in Some Kind Of Hero, we got in bed nervously. Then he looked up, and it was very genuine, and he went, " Richard Pryor's in bed with Lois Lane!" And it was so cute!

The first Superman film took up a huge chunk of our lives, but it was a wonderful time for us. We were young, my daughter was little, we were filming in London for a year, so we became like a close family.

I was very active in the peace movement, still am.

Being pretty crazy while being chased by the National Enquirer is not good. The British tabloids were the worst.

I do remember when I first read the script of the 92 In The Shade. I was in the house at Nicholas Beach, and that gang was starting to break up, and I read this terribly well-written dialogue, not figuring out that films are about structure and the thing was totally unstructured, and I thought, "Who is this writer? God, he's great."

I just fell in love with Thomas McGuane the minute I saw him. He was the handsomest guy I'd ever seen, and gorgeous and sexy, and he had long hair and cowboy boots and tight jeans. So it was truly an act of love, to say the least, and it ended up having a permanent impact on my life, obviously.