Want of passion is, I think, a very striking characteristic of Americans, not unrelated to their predilection for violence. For very few people truly have a passionate desire to achieve, and violence serves as a kind of substitute.

Writing is a perpetual choice between a thousand expressions, none of which satisfies me, none of which, above all, satisfies me without the others. Yet I ought to know that only music permits a succession of chords.

I believe that friendship, like love, of which it is a particular kind, requires nearly as much art as a successful choreography.

One nourishes one's created characters with one's own substance: it's rather like the process of gestation. To give the character life, or to give him back life, it is of course necessary to fortify him by contributing something of one's own humanity, but it doesn't follow from that that the character is I, the writer, or that I am the character. The two entities remain distinct.

There are stages in bread-making quite similar to the stages of writing. You begin with something shapeless, which sticks to your fingers, a kind of paste. Gradually that paste becomes more and more firm. Then there comes a point when it turns rubbery. Finally, you sense that the yeast has begun to do its work: the dough is alive. Then all you have to do is let it rest. But in the case of a book the work may take ten years.

Want of passion is, I think, a very striking characteristic of Americans, not unrelated to their predilection for violence. For very few people truly have a passionate desire to achieve, and violence serves as a kind of substitute.

Passion such as hers is all consent, asking little in return. I had merely to enter a room where she was to see her face take on that peaceful expression of one who is resting in bed. If I touched her, I had the impression that all the blood in her veins was turning to honey.