People are kinda still a bit puritanical, perhaps. People don't expect a woman to feel so open, in a way, about her sexuality onscreen, and they probably find it fascinating. I think more actors are doing it and being open to that and not being afraid of it, so it's becoming less of a thing.

I'm interested in people who have lived, who are searching and questioning.

I feel like, in a way, after doing it for so many years, you learn a certain concentration and how to turn it on and off.

I think a lot of people become actors because they have a great reservoir and repertoire of many different emotions they felt over their lives. It's like having a toolbox, and you go down into the toolbox and choose one or two of those that you need for a particular scenario, or something that comes up in a line.

I don't think you understand what levels or what fears until you have a child of your own. I mean, I've never loved someone so much and I've never been so afraid in my life. And the truth is I would kill someone, whoever tried to hurt him. I would. I have no doubt about it.

I was always anti-marriage. I didn't understand monogamy. I couldn't figure out how that could last. And then I met Bryn and I started to understand the beauty of constancy and history and change and going on the roller coaster with someone - of having a partner in life.

I don't really have a method or a technical process. I studied [Sanford] Meisner, and that's the thing that really works for me. That sort of instinctual, in the moment, what the other actors do, working off them and letting the story unfold, as opposed to having an idea of what the story should be.