First I lost weight, then I lost my voice, and now I've lost Onassis.

On stage, I am in the dark.

Some say I have a beautiful voice, some say I have not. It is a matter of opinion. All I can say, those who don't like it shouldn't come to hear me.

I cannot switch my voice. My voice is not like an elevator going up and down.

That is the difference between good teachers and great teachers: good teachers make the best of a pupil's means; great teachers foresee a pupil's ends.

Women are not pals enough with men, so we must make ourselves indispensable. After all, we have the greatest weapon in our hands by just being women.

It takes a little more time to get into the role, but not very much more. In making a record you don't have the sense of projection over a distance as in an opera house. We have this microphone and this magnifies all details of a performance, all exaggerations. In the theater, you can get away with a very large, very grand phrase. For the microphone, you have to tone it down. It's the same as making a film, your gestures will be seen in close-up, so they cannot be exaggerated as they would be in a theater.