We are a collage of our interests, our influences, our inspirations, all the fragmentary impressions we've collected by being alive and awake to the world. Who we "are" is simply a finely curated catalog of those.

In order for us to truly create and contribute to the world, we have to be able to connect countless dots, to cross-pollinate ideas from a wealth of disciplines, to combine and recombine these pieces and build new castles.

This is the power of art: The power to transcend our own self-interest, our solipsistic zoom-lens on life, and relate to the world and each other with more integrity, more curiosity, more wholeheartedness.

We are a collage of our interests, our influences, our inspirations, all the fragmentary impressions we've collected by being alive and awake to the world. Who we "are" is simply a finely curated catalog of those.

But most weeks I've gone through 12 books, maybe even 15 some weeks, depending on the length. So I go through my long form, and then my day begins. I usually try to do most of my writing earlier in the day because I sort of lump out later on.

Our chronic discomfort with ambiguity - which, ironically, is critical to both our creativity and the richness of our lives - leads us to lock down safe, comfortable, familiar interpretations, even if they are only partial representations of or fully disconnected from reality.

Artist Allen Crawford brings Whitman's undying text to new life in gorgeous hand-lettering and illustrations, transforming the 60-page poem originally published in 1855 as the centerpiece of Leaves of Grass into a breathtaking 256-page piece of art.