I keep an elaborate calendar for my characters detailing on which dates everything happens. Im constantly revising this as I go along. It gives me the freedom to intricately plot my story, knowing it will at least hold up on a timeline.

When I'm writing a book, I draw from my immediate experience, and my books are therefore almost a snapshot of where I am at that moment in my life.

Its like a hypnotist put everyone from Seattle into a collective trance. You are getting sleepy, when you wake up you will want to live only in a Craftsman house, the year won't matter to you, all that will matter is that the walls will be thick, the windows tiny, the rooms dark, the ceilings low, and it will be poorly situated on the lot.

I love the camaraderie of a writers' room.

I'd say I never considered myself a great architect. I'm more of a creative problem solver with good taste and a soft spot for logistical nightmares.

I can't tell you the number of times I've been in the middle of a perfunctory conversation, and someone will say, 'Tell us what you really think.' Or 'Maybe you should switch to decaf.

I keep an elaborate calendar for my characters detailing on which dates everything happens. Im constantly revising this as I go along. It gives me the freedom to intricately plot my story, knowing it will at least hold up on a timeline.