I think that one of the tasks of feminist women - mainly women of culture - in our time is to seek out those women who were only forgotten because they were women.

Prizes aren't essential. What is essential is poetry itself, it's what is said, it is clarity, it's loyalty, those are the essential values, the literary values.

My erotic poetry is not poetry that uses vernacular words. It is a very erotic poetry, but I never use anything, for example, that is not in the dictionary. I don't like to be ugly, I seek out what is beautiful, and if my great search is for freedom and beauty, I can't be vulgar, ordinary.

Men use women sexually. They use them, mistreat them, even from the point of view of vocabulary, the use of words. It baffles me.

As a journalist, I never isolated myself. I was a journalist at a daily newspaper and every day I went out on the street. Every day I had contact with people. I interviewed the most important writers of the twentieth century, and into the twenty-first century, from Simone de Beauvoir, Marguerite Duras, and Marguerite Yourcenar to Christa Wolf.

I think the obligation of a poet is not to be in an ivory tower; it is not to be isolated but to be among people.

I think that all my books are political, I think that I have a political body of work. I am essentially a political woman, but above all I am a poet. I am a poetess.