I think in general in my teens I had a lot of crushes on men on the Internet, most notably Momus since I was in my late teens. John Darnielle was also another big crush.

One thing about having mostly absent parents that I think was perhaps "good" for the development of my intellect/writing is that I was given almost total freedom to read/write/look at whatever I wanted. I wonder a lot about how my past experiences, particularly my negative childhood (home life and being severely bullied/ostracized throughout school) as formed my/my thoughts/my writing, though I should also note those things were far from the only thing that had an impact on me/my writing.

I think it's sad that we live in a world where men can steal and distribute and publish photos of women without their permission all over the Internet and even in print and make a lot of money doing so, but half naked photos that I took of myself are deemed "obscene."

As an adult I've connected a lot with men over the Internet. Nothing seems really notable (pre-"Adrien Brody") except I went to London in July of 2010 and before I went I had a few men lined up to meet, two who made a large impact on me. Both were mentioned in "Adrien Brody."

I guess that my opinion of writing about real people is informed by defenses of Joyce Maynard's memoir, that the experiences were a part of my life as well, and that I have the right to write about my life.

I recognize that memory is far from infallible though. If I feel like I can't accurately describe something, I just leave it out. I also do things like write "he talked about ..." instead of writing direct quotes. But generally I feel like since my stories are very obviously meant to be my perception of an event rather than the objective truth this gives me a lot of leeway.

There's often times a big difference between what you actually thought/felt in a situation and what you think you thought/felt. You have to do a lot of work to make your thoughts/feelings possible to be understood by other people. It's very draining, though also cathartic.