I had to do a tango with Raft and I learned to dance in ballet shoes with my knees bent.

I got to know Sterling Hayden fairly well. He was a quiet man, who got more complicated as the years went on.

Of course, in later years, I'd studied acting more than ever before - mostly with the late Stella Adler, who was marvelous! - but in my earlier years, I couldn't afford to do this.

So, I certainly subscribe to what Bette said about acting being very hard work.

But painting can be too lonely... I like being with people too much to have ever made that my life's work.

In '48 when I left Metro, I tried to go back to radio, but somehow just didn't do well at it.

I'd say my happiest moment as an actress came when I learned I'd won the Look Magazine Best Supporting Actress Award for 1956 in The Killing.