... but it's your existence I love you for, mainly. Existence seems to me now the most remarkable thing that could ever be imagined.

Every single one of us is a little civilization built on the ruins of any number of preceding civilizations, but with our own variant notions of what is beautiful and what is acceptable - which, I haste to add, we generally do not satisfy and by which we struggle to live.

I wrote almost all of it in the deepest hope and conviction. Sifting my thoughts and choosing my words. Trying to say what was true. And I'll tell you frankly, that was wonderful.

I had been reading about [John] Calvin for years and had been studying the English Renaissance for many more years, and it had never occurred to me to think of them together. I learned that Calvin was the most widely read writer in England in Shakespeare's lifetime. He was translated and published in many editions.

I’m writing this in part to tell you that if you ever wonder what you’ve done in your life, and everyone does wonder sooner or later, you have been God’s grace to me, a miracle, something more than a miracle. You may not remember me very well at all, and it may seem to you to be no great thing to have been the good child of an old man in a shabby little town you will no doubt leave behind. If only I had the words to tell you.

I am delighted if people find that kind of sustenance in novels, but perhaps it's because they don't read the Scripture that they are comparing it to, which would perhaps provide deeper sustenance than many contemporary novels.

Somebody who had read Lila asked me, ‘Why do you write about the problem of loneliness?’ I said: ‘It’s not a problem. It’s a condition. It’s a passion of a kind. It’s not a problem. I think that people make it a problem by interpreting it that way.’