Every spirit passing through the world fingers the tangible and mars the mutable and finally has come to look and not to buy. So shoes are worn and hassocks are sat upon and finally everything is left where it was and the spirit passes on, just as the wind in the orchard picks up the leaves from the ground as if there were no other pleasure in the world but brown leaves, as if it would deck, clothe, flesh itself in flourishes of dusty brown apple leaves and then drops them all in a heap at the side of the house and goes on.

I think the connection between poetry and theology, which is profound in Western tradition - there is a great deal of wonderful religious poetry - both poetry and theology push conventional definitions and explore perceptions that might be ignored or passed off as conventional, but when they are pressed yield much larger meanings, seem to be part of a much larger system of reality.

What an embarrassment that was, being somewhere because there was nowhere else for you to be.

I got four volumes of the letters and speeches of Oliver Cromwell. He is prominent among the great unread, and treated so oddly by history that I wanted to hear his side of things.

I experience religious dread whenever I find myself thinking that I know the limits of God’s grace, since I am utterly certain it exceeds any imagination a human being might have of it. God does, after all, so love the world.

I had been reading about [John] Calvin for years and had been studying the English Renaissance for many more years, and it had never occurred to me to think of them together. I learned that Calvin was the most widely read writer in England in Shakespeare's lifetime. He was translated and published in many editions.

It is diversity that makes any natural system robust, and diversity that stabilizes culture against the eccentricity and arrogance that have so often called themselves reason and science.