Most artists create foundations where they put their own work. Here I'm not putting my own work. I'm just creating the chambers.

We, performers, work on willpower. This willpower works in a short term, not durational.

The public is in need of experiences that are not just voyeuristic. Our society is in a mess of losing its spiritual centre.

I want to dominate the man's world.

When you have so much pain, you think you will lose consciousness. If you say to yourself, ‘So what, lose consciousness,’ the pain goes away.

You know, art is very emotional business. But mostly it becomes not emotional, the fabric of commodity. It becomes business. It becomes so many different things. Because we forgot there was emotions involved.

From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.