If you're a woman, it's almost impossible to establish a relationship. You're too much for everybody. It's too much. The woman always has to play this role of being fragile and dependent. And if you're not, they're fascinated by you, but only for a little while. And then they want to change you and crush you. And then they leave.

Do you know what's most interesting? Working with the very strong restrictions of the institution. In the Renaissance, the aristocrats would order paintings from the artist. They would order the Crucifixion of Jesus. The restrictions were amazing. Jesus had to be in the middle, three apostles on the left, four apostles on the right - and still you had masterpieces. It's really interesting to work within restriction, and see what you can do with restriction.

I want to die consciously, without fear, and without anger. Three things. I see my friends dying with fear and anger and it's terrible. My grandmother kept her clothes ready for 40 years for her funeral. She lived to 103! But she kept the clothes in a cupboard. As the styles changed, she changed the clothes! I think if I start now with my funeral, it's good.

I have always staged my fears as a way to transcend them.

We are actually living in a million parallel realities every single minute.

When I first had a video camera to document a performance, it was in Sweden and I remember it was really crucial for me.

I didn't get paid for performances most of my life. If I did, I would be billionaire now, and I'm not.