First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.

If you're a baker, making bread, you're a baker. If you make the best bread in the world, you're not an artist, but if you bake the bread in the gallery, you're an artist. So the context makes the difference.

I really like dark, politically incorrect humor.

Zooming in, zooming out. I was shocked. I said, "Let's erase this right now, put the camera behind the stage and I'll do the performance just for the camera." He set up everything and I told him to go outside and smoke a cigarette. Come back when I finish. Don't touch the camera. This was the way how I've done most everything after that.

In real life, you just work for the ordinary self, but in the front of audience you become the superself. That's a completely different thing.

When I was 14, I thought I looked terrible. I wore these typical Slavic shoes with metal bottoms so you could always hear me coming and this really ugly princess skirt and blouse with the top button closed. I had a boy haircut, a baby face covered with pimples, and a really big nose.

First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.