When you're 50, the best thing to do is dance the Argentinean tango.

First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.

It's okay that we're not perfect. It's okay that we all have problems. It's okay to cry, to show emotions.

I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer.

I made a tape recording of a bridge collapsing and I wanted to play it suddenly and very loudly when people were walking over a big bridge in Belgrade. The council forbid it. Their imagination is tiny; mine is big. I want always to shake everything up.

Most artists create foundations where they put their own work. Here I'm not putting my own work. I'm just creating the chambers.

You create a friendship on a level that you've never done before. The basic kind of experience is to basically give love to total strangers all the time, and that really changed everything in me. And this piece transformed me more than any other one before. I saw my entire life differently. What do I have to do? What is my passion on this planet? I'm much more focused than I ever was before.