Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.

The only way to change consciousness and the world around us is to start with yourself.

We, performers, work on willpower. This willpower works in a short term, not durational.

Talking about [Donald] Trump, there's nothing wrong with Trump. He's who he is. It's wrong with us, who let him [win]. That's what's wrong. It's not that he's going to change, but the people who think like him.

An artist has to look at the future, to see what we can do better.

You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, I'm your mirror; if I can do this in my life, you can do it in yours.

I had to leave some traces. In the beginning, I would give complete instructions to the photographer. In the '70s, people would come to photograph your work and you would just end up with this crazy material that had nothing to do with your work; maybe I'd pick up two or three photographs that were the closest to the idea. This is why when you look at the '70s, you see much less documentation and really bad material. The material will become misleading to what the piece was.