I'm talking about intellectually and emotionally challenging, but at the same time it's actually not that challenging. So there's this dichotomy.

Through performance, I found the possibility of establishing a dialogue with the audience through an exchange of energy, which tended to transform the energy itself. I could not produce a single work without the presence of the audience, because the audience gave me the energy to be able, through a specific action, to assimilate it and return it, to create a genuine field of energy.

From the moment you are born, you could die. I think as an artist it is important to meditate on that.

There's nothing more tragic than artists from the 70s still doing art from the 70s.

You go to India and you see the poorest village somewhere in the middle of India. And the poor family is happier than any rich billionaire in this country because of spirituality.

Immaterial art is the strongest because there's no obstacle; there's just energy, and I believe in energy.

I am pure performance, and Robert Wilson is pure theater.