When I first had a video camera to document a performance, it was in Sweden and I remember it was really crucial for me.

First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.

You know, everyone is always talking about plastic surgery, or the technology, what to do. I really think it's important to help yourself with the technology if you want to feel better, but I am absolutely against any kind of monstrous cuts of the body, lifting that is beyond recognition, this kind of stuff.

Most people are more comfortable with what is familiar. I’ve spent my life doing the opposite.

I have found that long durational art is really the key to changing consciousness. On such a deep level. Not just the performer, but the one looking at it.

When I first had a video camera to document a performance, it was in Sweden and I remember it was really crucial for me.

I serve like a bridge. I go to other cultures, learn, put myself in different situations and learn as much as I can, and then go to Western cultures to give. I'm doing this bridging all the time.