It's very important that young artists push boundaries, because sometimes you have this urge to do something - like the impulsive and dangerous urges I had as a child - and if you don't follow through with it you might miss out on a developmental experience.

You create a friendship on a level that you've never done before. The basic kind of experience is to basically give love to total strangers all the time, and that really changed everything in me. And this piece transformed me more than any other one before. I saw my entire life differently. What do I have to do? What is my passion on this planet? I'm much more focused than I ever was before.

I'm interested in utopian communities of the past. Many of them didn't survive and I'm examining closely the reasons they failed.

I have found that long durational art is really the key to changing consciousness. On such a deep level. Not just the performer, but the one looking at it.

Don't even ask me why. I do not know, I have no answer to this insane behaviour.

When I was young, I couldn't think about ballet because I had to focus on my own field. But once you secure your own performance area, you can indulge yourself in different territories. Fashion is one. And ballet is absolutely a fantasy, because it deals with the bodies in a different way.

We always project into the future or reflect in the past, but we are so little in the present.