Even now, I have traces of the good little girl. When I am not performing, for instance, I am really very quiet and ordinary.

I want to dominate the man's world.

In my work I have complete control, but about my life, I don't want to.

Through performance, I found the possibility of establishing a dialogue with the audience through an exchange of energy, which tended to transform the energy itself. I could not produce a single work without the presence of the audience, because the audience gave me the energy to be able, through a specific action, to assimilate it and return it, to create a genuine field of energy.

I'm interested in utopian communities of the past. Many of them didn't survive and I'm examining closely the reasons they failed.

Even now, I have traces of the good little girl. When I am not performing, for instance, I am really very quiet and ordinary.

You know how you feel somebody looking at you, and you turn, and somebody actually is? It's the same at an art gallery. You're looking at one portrait, turn around, and there is a work of art directly behind you. Because it's all energy. Every single thing has energy.