We're destroying the planet, and the planet rebels.

Every party is the same, too many people, too little food, and you have to wait around. I'm extremely bored with parties.

Most artists create foundations where they put their own work. Here I'm not putting my own work. I'm just creating the chambers.

The only thing I have learned is to find strength in yourself. No one can help you, no one can do anything for you, you have to do the work yourself.

You know, art is very emotional business. But mostly it becomes not emotional, the fabric of commodity. It becomes business. It becomes so many different things. Because we forgot there was emotions involved.

From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.

There has been evolution in my work. In the beginning I was very much busy with the physical body and the limits of the physical body but that somehow naturally led me to the mental body and how I could deal with that. Stillness is so much harder, especially for three months. It was a big challenge. As a performer it is the most difficult experience one can have. And the interactive experience with the public made it even harder.