In the performer's body, you don't care how you look. It doesn't matter if you're old, fat, beautiful, or ugly. It doesn't change anything. The only thing is your charisma and how you express your idea.

I want to die consciously, without fear, and without anger. Three things. I see my friends dying with fear and anger and it's terrible. My grandmother kept her clothes ready for 40 years for her funeral. She lived to 103! But she kept the clothes in a cupboard. As the styles changed, she changed the clothes! I think if I start now with my funeral, it's good.

I am obsessive always, even as a child. On one side is this strict orthodox religion, on the other is communism, and I am this little girl pulled between the two. It makes me who I am. It turns me into the kind of person that Freud would have a field day with, for sure.

When I first had a video camera to document a performance, it was in Sweden and I remember it was really crucial for me.

You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, I'm your mirror; if I can do this in my life, you can do it in yours.

We always project into the future or reflect in the past, but we are so little in the present.

Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.