I try not to let the material aspects of different cultures distract me from getting to the essence of the person I'm photographing. Whether it's a man or a woman. Wherever they're from, I try not to let social status or cultural background affect me or affect the person. I strip all those things away to get down to the essence of the human being, the person.

I try not to let the material aspects of different cultures distract me from getting to the essence of the person I'm photographing. Whether it's a man or a woman. Wherever they're from, I try not to let social status or cultural background affect me or affect the person. I strip all those things away to get down to the essence of the human being, the person.

My work was my life, and my life was my work, and there was a kind of blur between reality and what was being created.

I'm pretty open. I'm not afraid of men. I'm not afraid of women. I'm not afraid of sex and sexuality. It's part of me, and it comes out in the photograph. It's as if at that moment when I'm taking pictures, I'm not a man and I'm not a woman. If I see a moment that seems true to me, that seems honest, whether it's female or male, it's part of me as well.

I was never afraid of getting old. I remember being young and thinking, Wow, I can't wait until I'm older because I feel like everything is going to happen then. I don't want to sound pretentious or anything, but I'm always one of the first ones to say, "Let's try that."

I've had moments where I've felt like I was on another planet because I saw something beautiful. To me, taking pictures is being alive.

You should be constantly asking yourself: What do I want to say next? What do I believe in? Who am I? What is my image? To be a successful photographer, you have to have a unique point of view otherwise you'll get lost in the mix.