In general, I think my freedom of invention is not limited when I use historical characters.

The secret to happiness, at least to peace of mind, is knowing how to separate sex from love. And, if possible, eliminating romantic love from your life, which is the love that makes you suffer. That way, I assure you, you live with greater tranquility and enjoy things more.

Whether religious or racial, anti-Semitism is always repugnant, one of the most destructive manifestations of human stupidity and evil. What is profoundly expressed in it is man's traditional mistrust of the man who is not part of his tribe, that 'other' who speaks a different language, whose skin is a different color, and who participates in mysterious rites and rituals.

This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.

Maintain democracy or go to dictatorship: that is what is at stake in these elections.

But what do I have? The things I'm told and the things I tell, that's all. And as far as I know, that never yet made anyone fly.

We were trained as writers with the idea that literature is something that can change reality, that it's not just a very sophisticated entertainment, but a way to act.