'Particularly' is particularly difficult because the 'L' and the 'R' are totally different, like totally different letters. I would spend hours in front of the mirror with my dialect coach to observe my tongue. You don't think, when you speak, about all the things that happen in your jaw and your mouth, how everything reacts, so you have to watch all those things and realise we have a totally different use of our tongue and jaws.

When I was little, there were so many people in my house. Everyone was enjoying themselves, rehearsing, having fun. It was like a playground.

Sometimes you don't need to explain how you care and love someone so much, but I really love him as a person and as a director. I wanted to be perfect for Michael Mann. I wanted to give the best of my best of my best. I don't know if I did, but I was touched by him. He's totally inspirational.

That Paris exists and anyone could choose to live anywhere else in the world will always be a mystery to me.

As a teenager, I didn’t want to be me; I wanted to be many different people. Maybe I realized that they all lived inside me and that if I managed to connect with them, they would become aspects of me.

I find it easier to play someone who is so far from me because you create someone - you build this person based on the story and the script, with the director.

The first thing, the main thing, about how I work is I need to understand the character.