Never think of revising as fixing something that is wrong. That starts you off in a negative frame of mind. Rather think of it as an opportunity to improve something you already love.

when you are dealing with art, any kind of art, your pleasure in making it is what matters most.

Description needs to slide into a story like a snake through grass - silently, almost invisibly, without calling attention to itself. It should enrich every story moment without slowing the action.

another word for talent is obsession.

You don't choose your themes; they choose you. The meaning of your stories will rise out of your deepest longings, often out of longings so deep that you haven't admitted them even to yourself. Your convictions, your confusions, your most passionate dreams will be there whenever you begin a story, so you might as well learn to tap into them.

I was an adult before I began to learn that there is a difference between a conversation and an argument.

my experience as a fiction writer tells me that the deeper I look into myself, the more universal is the experience I find there.