Never think of revising as fixing something that is wrong. That starts you off in a negative frame of mind. Rather think of it as an opportunity to improve something you already love.

You don't choose your themes; they choose you. The meaning of your stories will rise out of your deepest longings, often out of longings so deep that you haven't admitted them even to yourself. Your convictions, your confusions, your most passionate dreams will be there whenever you begin a story, so you might as well learn to tap into them.

I used to tiptoe up to my bedroom door and leap into my room in an attempt to surprise my dolls in the midst of some kind of action. Unfortunately, they were always too quick for me. I'm still disappointed about that.

my experience as a fiction writer tells me that the deeper I look into myself, the more universal is the experience I find there.

Never think of revising as fixing something that is wrong. That starts you off in a negative frame of mind. Rather think of it as an opportunity to improve something you already love.

Description needs to slide into a story like a snake through grass - silently, almost invisibly, without calling attention to itself. It should enrich every story moment without slowing the action.

I was an adult before I began to learn that there is a difference between a conversation and an argument.