It's hard to transfer one person's type of comic timing or approach to another person's. It's something you innately hear like a rhythm in your ear.

I'm always dying to do more comedic parts, I love it when I get to do something really overblown like Crazy, Stupid, Love that can just be silly. There have always been hilarious women, but I love that they are getting more and more attention.

I grew up on musicals, and I know they are quite the thing now, but I'm actually a little indignant, because I started taking singing lessons years ago - I put the time in!

There were moments where people took the to streets and small rebellions, but ultimately it's a change in consciousness - so how do you capture that and bring the piece to light?

I can't tell stories to save my life. I like to have fun, and I go out and have a lot of fun. But I'm not really an entertainer that way. I'm much more shy.

Aunt May's values and Spiderman's traumas are kind of what's defined him as a young boy and now that he's becoming a young man, she's there to provide that safe place where he can still be a kid if he needs to be, or know that he has a home base as he's going through all these physical changes. So as long as those essentials are there, we can work on finding the character together.

It's really fun working on this Marvel movie [ Spiderman]. The essentials of Aunt May are that she's helped raise Spiderman and she's his moral compass.