Any medium can only live up to the strengths of the people working in it. If it's been used to tell bad or boring stories, it's not a problem with comics; it's a problem with the writers of those comics.

But violence is news, to a certain extent, and people don't want complicated news. Because as soon as you realize things are complicated, your life becomes more complicated.

To tell you the truth, I never wanted to become a moviemaker. It was like I was a cinepihile, and I go, like, three or four times per week to the cinema, and I like to watch films.

You have to be narcissistic to be an artist. You have to think you are the centre of the whole thing otherwise why do you create? The only thing is to recognise it, and then you make the best of it.

In a place like Israel, they're very concerned with Iran, so there's a lot of interest. So they want to see what this Iranian from France has to say in her comics. I guess that's good. My the books are coming out in other countries. And each time, they discover something different to be interested in.

I'm a very individualistic person. That is why I don't belong to any political party or anything. I really believe in justice and freedom.

I wrote the plot [for the Persepolis ]and Vincent [Paronnaud] and I wrote and discussed the shooting of the script. Vincent then took care of the production design, the actual shooting, and what was going on within each scene. It's very difficult, though, to draw a line between who did what. Because Vincent would say something, and I would add something, and at the end you have this film, yet no clear idea of who did what.