America is a very special place. In this country, you have the best and the worst at the same time. Whatever you can imagine.

My mother was the favorite child of her parents. My father was the favorite child of his parents. The result of these two favorite children was me. And I am an only child. So I was convinced that I was the center of the universe.

I don't like the word 'autobiography.' I rather like the term 'autofiction.' The second you make a script out of the story of your life, it becomes fictional. Of course, the truth is never far. But the story is created out of it.

I'm not a very good financing person. I don't even know how much money I have in my bank account. I never have opened one single envelope from the bank - they freak me out.

I wrote the plot [for the Persepolis ]and Vincent [Paronnaud] and I wrote and discussed the shooting of the script. Vincent then took care of the production design, the actual shooting, and what was going on within each scene. It's very difficult, though, to draw a line between who did what. Because Vincent would say something, and I would add something, and at the end you have this film, yet no clear idea of who did what.

The information I have about Iran is second hand.

In a place like Israel, they're very concerned with Iran, so there's a lot of interest. So they want to see what this Iranian from France has to say in her comics. I guess that's good. My the books are coming out in other countries. And each time, they discover something different to be interested in.