Words also are filters. They have to be translated. Even in the original language, there is interpretation and some ambiguity. If there's a cultural difference between the writer and the reader, that might come out in words. But with pictures, there's more efficiency.

Anyway, that's how it is! Either they obey the law, or they're expelled!! And make sure they wear their veils correctly..." - "If hair is as stimulating as you say, then you need to shave your moustache!" My father actually said that.

There's this scene in "The Night of the Hunter" when the kids are downstairs, and you have the feeling that they're both in a room and at the same time it looks remote. And you wonder, How can you give the effect of both "inside" and "outside" at the same time. And you realize, by watching it many times, that around the scene there's this black edging.

I took three years of karate because of Bruce Lee, you know. I was a green belt.

The novels have done so well because the drawings are abstract, black-and-white. This adds to the universality of the story. "Persepolis" also has dreamlike moments, and the drawings help maintain cohesion and consistency.

Imagine if I cannot stand someone and every day he is here in my face, then I cannot work. Then, the whole time, I am thinking "I hate him, I hate him." But if I love him or I love her, then I can do anything, then I am comfortable. That's why it's so important to be surrounded by people that you really like.

A cat can never be well-trained because they're too independent.