My mother was the favorite child of her parents. My father was the favorite child of his parents. The result of these two favorite children was me. And I am an only child. So I was convinced that I was the center of the universe.

There's this scene in "The Night of the Hunter" when the kids are downstairs, and you have the feeling that they're both in a room and at the same time it looks remote. And you wonder, How can you give the effect of both "inside" and "outside" at the same time. And you realize, by watching it many times, that around the scene there's this black edging.

Of course, when you remember your life, you never remember anything in a chronological way. You always have pieces of memories, and some of these memories are full of details and very colorful. Some of them you just see the action and it's completely blank.

For me, drawing is a question of death and life. Every day I draw, I write, I do something.

I love the French for their sarcasm, their irony. I love them for their bad moods.

I'm someone who lived in a war for five years. I received bombs on my head every day of my childhood. Did that stop me from living? Did that stop me from laughing?

If people are given the chance to experience life in more than one country, they will hate a little less. It's not a miracle potion, but little by little you can solve problems in the basement of a country, not on the surface.